Enter the heart of the creation and discover the artists at work!

The Paris National Opera offers Arop members the privilege of observing the work of the artists and the genesis of a production at different times: work sessions, pre-dress rehearsal and dress rehearsal. The dress rehearsal is the last rehearsal before the first performance.

ARIODANTE

If Handel were alive today, he would be termed resilient. In 1734‑1735, when the public had cooled towards him and his contract with the King’s Theatre drew to a close, the composer began to write Ariodante, an “opera seria” intended for the opening of the brand new Theatre Royal in Covent Garden. As if galvanised by adversity, he produced a radiant work, as virtuoso as the libretto, drawn from an episode of Arioste’s Orlando Furioso, is simple: Ginevra, a Scottish princess, is in love with Ariodante to whom she is betrothed, but a conspiracy led by the traitor Polinesso results in her being accused of infidelity. As well as giving us Handel’s most beautiful lament, this inspired score abounds throughout in virtuoso arias and breathes theatrical intelligence. Enough to inspire Robert Carsen who, in the wake of his legendary Paris Opera production of Alcina, composed the same year, signs a new production of Ariodante.

Conditions of access to dress rehearsal :

The presentation of your Arop card is mandatory to collect your ticket at the Arop control on the same evening.

At the Palais Garnier and the Opéra Bastille, we have "Protocol" seats.

Seats are assigned by membership level: Founding Patron members (Mécène Fondateurs) have priority over Patron members (Mécènes).

Seats are assigned by order of booking arrival (first booking, first served) and cannot be guaranteed in case of late registration.

Seating is free in the reserved areas: we advise you to arrive one hour before the start of the rehearsal.

Download the details of the reservation conditions and the access conditions.