Enter the heart of the creation and discover the artists at work!

The Paris National Opera offers Arop members the privilege of observing the work of the artists and the genesis of a production at different times: work sessions, pre-dress rehearsal and dress rehearsal. The dress rehearsal is the last rehearsal before the first performance.

BEATRICE DI TENDA

False accusation, unjust imprisonment, torture and a death sentence: such was the unfortunate fate of Beatrice di Tenda, a real character who became the heroine of Vincenzo Bellini’s opera. The work was first performed at Venice’s La Fenice in 1833 without any real success, to the great displeasure of the composer who tackled powerful themes such as justice and the aspiration for freedom, in a score with crystaline and lyrical lines. For its entry into the Paris Opera repertoire, Peter Sellars is directing this little-known score, his first Italian opera. With set designer George Tsypin, he sets the work in a steel-walled palace, evoking the domination and surveillance exercised by a ruthless dictatorship.

Conditions of access to dress rehearsal :

The presentation of your Arop card is mandatory to collect your ticket at the Arop control on the same evening.

At the Palais Garnier and the Opéra Bastille, we have "Protocol" seats.

Seats are assigned by membership level: Founding Patron members (Mécène Fondateurs) have priority over Patron members (Mécènes).

Seats are assigned by order of booking arrival (first booking, first served) and cannot be guaranteed in case of late registration.

Seating is free in the reserved areas: we advise you to arrive one hour before the start of the rehearsal.

Download the details of the reservation conditions and the access conditions.