Enter the heart of the creation and discover the artists at work!

The Paris National Opera offers Arop members the privilege of observing the work of the artists and the genesis of a production at different times: work sessions, pre-dress rehearsal and dress rehearsal. The dress rehearsal is the last rehearsal before the first performance.

I CAPULETI E I MONTECCHI

When, in 1830, Vincenzo Bellini took up the task of adapting Romeo and Juliet for La Fenice in Venice, he had only six weeks in which to compose an opera. Felice Romani, his librettist ever since his first successful opera, Il Pirata, chose to go back, beyond Shakespeare, to the Italian sources of the myth. The drama is now more sombre: the quarrel between the two families has become a veritable war. In the very title chosen by Bellini, the families’ names have eclipsed those of Romeo and Juliet, just as the conflict poisons their passion. The opera also resurrects a scene that Shakespeare omitted: when Juliet, whom Romeo believed to be dead, awakens in the tomb, the two lovers are permitted a brief exchange before succumbing to eternal sleep. The director Robert Carsen sets the lyrical expression of these inextricably entwined lives in an austere decor illuminated by ardent love. A love transcended by Bellini's tender, dreamlike score.

Conditions of access to dress rehearsal :

The presentation of your Arop card is mandatory to collect your ticket at the Arop control on the same evening.

At the Palais Garnier and the Opéra Bastille, we have "Protocol" seats.

Seats are assigned by membership level: Founding Patron members (Mécène Fondateurs) have priority over Patron members (Mécènes).

Seats are assigned by order of booking arrival (first booking, first served) and cannot be guaranteed in case of late registration.

Seating is free in the reserved areas: we advise you to arrive one hour before the start of the rehearsal.

Download the details of the reservation conditions and the access conditions.