Enter the heart of creation and discover the artists at work!

The Paris National Opera offers Arop members the privilege of observing the work of the artists and the genesis of a production at different times: work sessions, pre-dress rehearsals and dress rehearsals.

EUGENE ONEGIN

“Eugene Onegin tells a love story that doesn’t work”. This is how Ralph Fiennes sums up the plot of Pyotr Ilyich Tchaikovsky’s opera, inspired by Pushkin’s work. A jaded young dandy, Onegin sets shy Tatiana on fire at first sight. Overcoming her reticence, she writes him a passionate love letter.

Alas, he brutally refuses, giving her a lecture on morality. However, years later, after a duel, he falls in love with the young woman who is now Prince Gremin’s wife. Will she yield to his advances?

Fascinated by Russian culture and attuned to the dramatic intensity of Tchaikovsky’s music, Ralph Fiennes is directing his first opera. If he chooses to use pictorial simplicity to evoke the Russian countryside or a ballroom, it is all the better to emphasise the emotions of the characters, as complex as they are modern.

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Access requirements:

• Absolute discretion so that the artists do not feel the presence of an audience.

• It is forbidden to leave the room during the rehearsal.

• No photography or filming and no applause.

• In case of delay, entry are allowed only during the break.

Any person who does not respect these rules may be refused access to the rehearsals. Work sessions last approximately 3 hours with a 30-minute break for operas and 20 minutes for ballets.

Cancellation policy:

• These sessions may be interrupted or closed to the public at any time for technical or artistic reasons.

• If they are cancelled, the Arop cannot be held responsible for rescheduling your seat.

• In case of withdrawal, please inform us as soon as possible so that members on a waiting list can benefit from the available seats.

• Any cancellation on your part for a rehearsal (work session, pre-general and general), less than 2 working days before the date of the event, will be deducted from the number of places allocated per season.

Booking procedure:

The assignment of rehearsal seats is done by membership level: Founding Patron members have priority over Patron members, who have priority over Benefactor members, who have priority over Donor members, who have priority over Friend members.