Enter the heart of creation and discover the artists at work!

The Paris National Opera offers Arop members the privilege of observing the work of the artists and the genesis of a production at different times: work sessions, pre-dress rehearsals and dress rehearsals.

SHARON EYAL / MATS EK

After Faunes, Israeli choreographer Sharon Eyal returns for her first “en pointe” ballet at the Paris Opera. The former dancer and artistic collaborator of the Batsheva Dance Company comes to grips with OCD Love, a 2015 piece she proposes in a new version for the Opera’s dancers. Inspired by a text from American poet-slammer Neil Hilborn, who suffers from obsessive-compulsive disorder, the work underlines the difficulty of loving.

The complexity of human relationships is also a theme of Mats Ek’s Appartement. Not without humour, the various sketches confront the ballet’s characters with their solitude through everyday objects such as bidets, television sets and stoves. From the armchair solo to the grand pas de deux and the hoover jig, the Swedish choreographer mixes styles in energetic dance set to the percussive music of Fleshquartet.

---------------------

Access requirements:

• Absolute discretion so that the artists do not feel the presence of an audience.

• It is forbidden to leave the room during the rehearsal.

• No photography or filming and no applause.

• In case of delay, entry are allowed only during the break.

Any person who does not respect these rules may be refused access to the rehearsals. Work sessions last approximately 3 hours with a 30-minute break for operas and 20 minutes for ballets.

Cancellation policy:

• These sessions may be interrupted or closed to the public at any time for technical or artistic reasons.

• If they are cancelled, the Arop cannot be held responsible for rescheduling your seat.

• In case of withdrawal, please inform us as soon as possible so that members on a waiting list can benefit from the available seats.

• Any cancellation on your part for a rehearsal (work session, pre-general and general), less than 2 working days before the date of the event, will be deducted from the number of places allocated per season.

Booking procedure:

The assignment of rehearsal seats is done by membership level: Founding Patron members have priority over Patron members, who have priority over Benefactor members, who have priority over Donor members, who have priority over Friend members.