© Agathe Poupeney / OnP
WORK SESSION: La Fille du régiment
Opéra Bastille
19h30
Enter the heart of the creation and discover the artists at work!
The Paris National Opera offers Arop members the privilege of observing the work of the artists and the genesis of a production at different times: work sessions, pre-dress rehearsals and dress rehearsals.
La Fille du régiment
In 1838, Gaetano Donizetti moved to Paris after a career already rich in works such as Lucia di Lammermoor, when he received a commission from the Opéra-Comique. La Fille du régiment, his first work written directly in French, premiered there two years later and gave the composer the opportunity to explore a broad range of musical styles, from the boisterous overture to bravura arias such as “Ah! mes amis” and poignant, languorous romances.
Laurent Pelly takes on this pinnacle of bel canto with his characteristic verve. Setting the work during the 1914 war rather than the Napoleonic Wars and adapting the dialogue, the director modernises the piece without sacrificing a single ounce of its brio.
Access requirements:
• Absolute discretion so that the artists do not feel the presence of an audience.
• It is forbidden to leave the room during the rehearsal.
• No photography or filming and no applause.
• In case of delay, entry are allowed only during the break.
Any person who does not respect these rules may be refused access to the rehearsals. Work sessions last approximately 3 hours with a 30-minute break for operas and 20 minutes for ballets.
Cancellation policy:
• These sessions may be interrupted or closed to the public at any time for technical or artistic reasons.
• If they are cancelled, the Arop cannot be held responsible for rescheduling your seat.
• In case of withdrawal, please inform us as soon as possible so that members on a waiting list can benefit from the available seats.
• Any cancellation on your part for a rehearsal (work session, pre-general and general), less than 2 working days before the date of the event, will be deducted from the number of places allocated per season.
Booking procedure:
The assignment of rehearsal seats is done by membership level: Founding Patron members have priority over Patron members, who have priority over Benefactor members, who have priority over Donor members, who have priority over Friend members.