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Work session: Pelléas et Mélisande
Opéra Bastille
19h30
Enter the heart of the creation and discover the artists at work!
The Paris National Opera offers Arop members the privilege of observing the work of the artists and the genesis of a production at different times: work sessions, pre-dress rehearsals and dress rehearsals.
PELLEAS ET MELISANDE
Where does Mélisande come from and what did she endure before losing her way in the forest of Allemonde? The drama unfolds in a mysterious world of dark caves and sleeping waters: Pelléas, Golaud’s half-brother, and Mélisande fall in love, arousing the jealousy of Golaud, who has married the young girl.
In 1892, Claude Debussy, very much taken with Maurice Maeterlinck’s play, found it to be the ideal libretto for the musical form he had in mind: a lyric drama in which the characters would sing “like natural people”. Ten years later, this ground-breaking opera was premiered to great scandal.
Wajdi Mouawad explores this fascinating work in his second production for the Paris Opera.
Access requirements:
• Absolute discretion so that the artists do not feel the presence of an audience.
• It is forbidden to leave the room during the rehearsal.
• No photography or filming and no applause.
• In case of delay, entry are allowed only during the break.
Any person who does not respect these rules may be refused access to the rehearsals. Work sessions last approximately 3 hours with a 30-minute break for operas and 20 minutes for ballets.
Cancellation policy:
• These sessions may be interrupted or closed to the public at any time for technical or artistic reasons.
• If they are cancelled, the Arop cannot be held responsible for rescheduling your seat.
• In case of withdrawal, please inform us as soon as possible so that members on a waiting list can benefit from the available seats.
• Any cancellation on your part for a rehearsal (work session, pre-general and general), less than 2 working days before the date of the event, will be deducted from the number of places allocated per season.
Booking procedure:
The assignment of rehearsal seats is done by membership level: Founding Patron members have priority over Patron members, who have priority over Benefactor members, who have priority over Donor members, who have priority over Friend members.